|
Click on an
image to view
category. |
|
Painted Linocut
Reliefs.
Pictures
available.
I have been producing
linocut reliefs since 1991 and they have become my signature
pictures. These days I only produce a few a year. At the
moment I am in the early stages of my biggest one ever. The
piece of lino is 90cm x 90cm. It will take
years to complete!
 |
|
Studies.
New
pictures available.
The following paintings
are acrylic on board, mainly painted with a palette knife. Most of
these pictures were started in-situ then finished in my
studio. These are often the starting point for bigger
pieces.
 |
|
Traditional
Landscapes.
New
pictures available. The following paintings
are acrylic on board or canvas. They are my modern take on
traditional landscape paintings.
 |
|
Relief Landscapes.
New
pictures available.
These paintings are three
dimensional reliefs made from layers of hardboard and
collage coloured with acrylics and a variety of other media
including gold and silver leaf, powdered pigment and crushed
mica.
 |
|
Spoon outline
Paintings.
Pictures
available.
The following are created
by painting the outlines with a spoon and then layering
areas of flat colour up to these lines. With these pictures
I try to use the minimum amount of lines to create a
recognisable scene then the viewers mind can fill in the
detail.
   |
|
Nebuloids.
New
pictures available.
The following pieces are
my latest direction - enamel on Perspex. Sometimes painted
on the front, sometimes on the back, sometimes both. They
are mounted directly onto the wall with 4 aluminium spacers.
I call them my 'Nebuloid' series after the first large one I
produced which is on the wall of my lounge at home. As a
source of inspiration I use images of extremely large and
extremely small objects, such as galaxies and bacteria.
   |
|
Other reliefs,
mixed media and experimental pictures.
Sorry
everything in this category is sold.
These pieces are made
using a variety of materials and techniques.
  |
|
Monotypes.
New
pictures available.
Monotypes are created by
rolling ink onto a sheet of glass. The paper is laid on top
and drawn on the back in reverse. The ink is picked up on
the other side of the paper. A variety of tools and
techniques can be used to make different marks and shading.
Several colours are used in succession. Each
monotype is a unique one off.
   |
|
Drawings.
New
pictures available.
These are always made on
the spot and many of them are then used as a starting point
for my paintings and monotypes.
   |
|
Colours may vary
slightly from on screen
Click here to return to
online store |
